I’ll be here when the world ends, 64 x 68, 2021 
detail, I’ll be here when the world ends, 64 x 68, 2021 
Pris on Pris m, 18 x 20, 2021
Up at night, 36 x 24, 2021
No Me Without You, 32 x 20 and 12 x 16 , 2021
(detail) No Me Without You, 32 x 20 and 12 x 16 , 2021
Fixed Gaze, 46 x 62, 2021

Love Me

Location: The Pennsylvania Academy of the Fine Arts

Oil on canvas, latex paint, paper, graphite, board

12 ‘ x 12’ room

May-July 2017

ASE8 (1)
Installation view, Love Me, 2017
whiteangel
Love Me (1 / 2), 12 x 16, 2017
Love Me (2 / 2), 30 x 30, 2017
Love Me (2 / 2) detail, 2017
Love Me (dyptich), 2017 – studio install view
Copy, Layer, Layer, Repeat, 2017
Love Me, Installation view, 2017
Postcard: facade, 18 x 26, 2017
Postcard, vista, 18 x 22, 2017
Love Me, Installation view with Surface Treatment, 2017

Conditions of Identity

My Father’s World, 9 x 12
lamp_3
Local Knowledge, 24 x 36
lamp_2
Here and There, 16 x 20
lamp_4
Double Print, 16 x 22
lamp_7
Surface Treatment, 9 x 12
DSC_0007
Daily Update, 20 x 20
DSC_0009
Face, 15 x 30
DSC_0011
Foreground, 24 x 15, 2016
DSC_0016
Portal, 24 x 36

The Heart Wants What It Wants

Installation Title: The Heart Wants What It Wants

Latex paint, wood, oil on canvas, acrylic paint, ink jet prints on matte paper

17.5 ft long x 9 ft wide x 8 ft tall Room

Nov- Dec 2016

2
3
6
7
8
9-3
9-4
9-5

The Heart Wants What It Wants makes the room the painted object, and lets the viewer wander this space in a surreal series of associations and actions. The 70s-era linoleum floor pattern sets the stage for a room of shadows- of which the viewers becomes one. Moving through the space, it’s hard to tell what shadows your own body is casting, and which were already there.

Anthropormophic shapes blend into walls with canvases, glitches, and familiar yet-unfamiliar outlines. Two displayed paintings are covered over with a blanket of thick black paint that has dripped onto the floor and formed a stiff pool. Layers pile on like memories, changing from each new angle.